Monday, 30 March 2009
Friday, 27 March 2009
I am M.Sarah Frank.from England I am deaf and has cancer of the breast I lost my husband 12yrs ago without a child of mine.
I have to sell all my properties left by my husband because the doctors say i have less than 2months to live.
I have deposited the funds of $4.5million USD which i sold from my properties and deposit into a Bank.
I want you to help me use the funds to help the charity deaf and the motherless babies home before i die.
If you are a good and honest Christian i shall give you the contact of the Bank and also the Deposit Certificate so as to claim my funds before my death.Expecting your urgent response and may God bless you as you carry out my wish.
yours dying sister.
M.Sarah Frank.
I have to sell all my properties left by my husband because the doctors say i have less than 2months to live.
I have deposited the funds of $4.5million USD which i sold from my properties and deposit into a Bank.
I want you to help me use the funds to help the charity deaf and the motherless babies home before i die.
If you are a good and honest Christian i shall give you the contact of the Bank and also the Deposit Certificate so as to claim my funds before my death.Expecting your urgent response and may God bless you as you carry out my wish.
yours dying sister.
M.Sarah Frank.
Wednesday, 25 March 2009
Thursday, 19 March 2009
ART TORRENTS: Jeremy Blake - Century 21 (2004)
His latest subject is Sarah Winchester, the eccentric heir to a firearm fortune. .... Mark Leckey - Fiorucci Made Me Hardcore (1999) · Francis McKee - In ...
arttorrents.blogspot.com/2008/04/jeremy-blake-century-21-2004.html - 70k - Cached - Similar pages
His latest subject is Sarah Winchester, the eccentric heir to a firearm fortune. .... Mark Leckey - Fiorucci Made Me Hardcore (1999) · Francis McKee - In ...
arttorrents.blogspot.com/2008/04/jeremy-blake-century-21-2004.html - 70k - Cached - Similar pages
Friday, 6 March 2009
Wednesday, 4 March 2009
Franko B #3
A toast to 1977, refernces from the workshop to be made into a video, performance, thing, photograph, nasty intervention... this will be meaningless to everyone but the other participants.
This observation connects numerous references: the date of a Nan Goldin photograph, an observation of a prescribed time period, and therefore a timeline, the act of toasting an event, red wine and other liquids drunk during the three days of this workshop, and a reference to on and off, described in the given text and to the act of switching on and off the lights depending on what was being viewed on screen.
On and off/the screen gave rise also to the opening of the film The Texas Chainsaw Massacre, which shows a dead body in flash photography accompanied by the burning out of the flash bulb, which is referenced in the text by mention of watching a scary movie. (Audio). I also wanted to use something which included Coca-Cola drunk by some of the participants and to a mention of Australia (where one of the group originates). Which led me to the post-apocalyptic narrative of Neville Shute’s motion picture On the Beach, which is set in Australia after a nuclear holocaust destroys the northern hemisphere before it too is destroyed by an impending nuclear winter, and were the survivors follow a cryptic morse code message, believing it to have come from a group of survivors, only to find it is being created by a bottle of Coca-Cola nudged by a breeze against a morse transmitter. The last message seen on the screen of this film is There is Still Time. Brother, seen by a line of survivors waiting to take a suicide liquid.
So , here’s to 1977. (everyone to take a drink)
This observation connects numerous references: the date of a Nan Goldin photograph, an observation of a prescribed time period, and therefore a timeline, the act of toasting an event, red wine and other liquids drunk during the three days of this workshop, and a reference to on and off, described in the given text and to the act of switching on and off the lights depending on what was being viewed on screen.
On and off/the screen gave rise also to the opening of the film The Texas Chainsaw Massacre, which shows a dead body in flash photography accompanied by the burning out of the flash bulb, which is referenced in the text by mention of watching a scary movie. (Audio). I also wanted to use something which included Coca-Cola drunk by some of the participants and to a mention of Australia (where one of the group originates). Which led me to the post-apocalyptic narrative of Neville Shute’s motion picture On the Beach, which is set in Australia after a nuclear holocaust destroys the northern hemisphere before it too is destroyed by an impending nuclear winter, and were the survivors follow a cryptic morse code message, believing it to have come from a group of survivors, only to find it is being created by a bottle of Coca-Cola nudged by a breeze against a morse transmitter. The last message seen on the screen of this film is There is Still Time. Brother, seen by a line of survivors waiting to take a suicide liquid.
So , here’s to 1977. (everyone to take a drink)
Tuesday, 3 March 2009
Franko B #2
Talking
Memories
Objects
Tears
Kraftwerk Computer World
Lowsalt, Glasgow
Bad art
Hot Guy
Business & Money
Aileen Campbell
The Grand Canyon
Rain
Cas and 20 years
The Chittendens & Triangle of Need
Coffee
Memories
Objects
Tears
Kraftwerk Computer World
Lowsalt, Glasgow
Bad art
Hot Guy
Business & Money
Aileen Campbell
The Grand Canyon
Rain
Cas and 20 years
The Chittendens & Triangle of Need
Coffee
Monday, 2 March 2009
Day #1 Franko B
After Life, Koreeda Hirokazu
Destricted, Larry Clark
Jack Smith
Nan Goldin
Two Chinese artists
Lots of porn
The importance of the legend
Rednecks
Mona Hatoum (not very good work) Sick (Bob Flannagan) (and his hot brother)
And the ambivalence of the live art circuit and the visual art circuit
The London attitude
Destricted, Larry Clark
Jack Smith
Nan Goldin
Two Chinese artists
Lots of porn
The importance of the legend
Rednecks
Mona Hatoum (not very good work) Sick (Bob Flannagan) (and his hot brother)
And the ambivalence of the live art circuit and the visual art circuit
The London attitude
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